When I first started writing over a decade ago, I exulted in every new dialog tag I could think up. I preened over “he croaked” and purred over “she grumbled.” Finding new and inventive ways to say “he said” became my quest.

My early works were peppered with gloats, murmurs, and barks. I even started a most coveted (only by me) list.

How many words can you think of to say “he said” or “she said?” Here are some, in no particular order:

Got that part?

Now that I’ve encouraged you to use “said,” I’m going to retract it.

Forgive me, but that’s just the way it is. If you can avoid a tag altogether–through the clever use of action “beats”– then more power to you.

Here’s an example of changing a passage from lush useless tags, to he said/she said tags, to using beats instead of tags:

I maneuvered the van around the next pothole, and was about to congratulate myself for my superior driving skills when a series of washboard ruts nearly popped the fillings out of my teeth.

I maneuvered the van around the next pothole, and was about to congratulate myself for my superior driving skills when a series of washboard ruts nearly popped the fillings out of my teeth.

I maneuvered the van around the next pothole, and was about to congratulate myself for my superior driving skills when a series of washboard ruts nearly popped the fillings out of my teeth.

Add your own examples below, if you’d like. Let’s see some Case A, B, and C’s in the comments section!

-> DOWNLOAD THE FACEBOOK BLASTER SOFTWARE HERE <-

Imagine being able to add five thousand members of the Amazon Book Clubs to your Facebook's close circle (friend list). That's right, since every member (24,000+) of the Amazon Book Clubs are book enthusiast, where else would be the best place to invite/add other like-minded book-loving friends? These people are looking forward to meeting you, that's why they joined. 

Tedious, time consuming, boring, strange etc are words that could be associated with the task of inviting new friends on Facebook, hoping you'll get to know them or they would know you.  In fact, meeting and introducing yourself to new people use to be an old tactic way of book promotion, especially when a firm promise to raise your Facebook presence (friend's list) to 2,000+ fans.

Well. Today, we are now confident in telling you that you can now gain that five thousands book-like-minded new friends on Facebook in a matter of few days, with a task that will only take you 10 minutes to carry out. It is not a trick, it is a software, designed specifically for this purpose and others as well. It could extract the UIDs (user i.d's) of any Facebook group members, and give you the option to invite them as friends. If you are not a member of Amazon Book Clubs you would need join the group first before you can extract the members UIDs.

UIDs are a set of identification numbers assigned to every Facebook users. If you are a Facebook user, this software would show you what your UID is.

This tutorial video would show you how to carry out some of the functionalities of this software; http://indiewritersupport.com/video/how-to-use-facebook-blaster-software-tutorial.

• ✔  Auto Mass Friend Requests
• ✔  Auto Mass Friend Messages
• ✔  Auto Mass Friend Wall Poster
• ✔  Auto Mass Friend Poker
• ✔ Auto Mass Amber Alerts
• ✔  Auto Mass Captcha Bypass

To broadcast a message to all of your Facebook friends with this software, all you would have to do is extract and save your friends UIDs and use the Messenger tab in the software to send the message into their inbox all at once. For best measure, do not send more than 200 friend request or messages a day using this software. 

Upgraded members (PREMIUMS) of our network were supplied a copy of this software as part of their earned service. You can get yours too, and the many more to come, by joining this Exclusive Group. You may also download the software from this Restricted Page, accessible only with payment.

-> DOWNLOAD THE FACEBOOK BLASTER SOFTWARE HERE <-

But I didn’t stop. I worried about arriving late to work, and the sides of the road looked very slippery. So… another lost shot.

What is the most important characteristic a writer should have? The ability to question everything.

Every tale I’ve written began with a series of what ifs.

What if a child was thrown into a world where magic was real? What if a young girl is given the most powerful weapon in her world? What if a man discovered he was really a demon? The list is as endless as the imagination.

But what if is rarely enough to carry a story. From each what if, dozens of answers can evolve and the writer become hopelessly confused by trying to unite them into something resembling a tale.

For me, the next question is, why?

Why this character and not someone else? Why are they in this situation? Why would a reader be interested in them?

However, why is more than these. As far back as any of us remember, we are taught there are certain truths in this world and that reality is a hard-and-fast concept we must each face. This, of course, presupposes everyone’ s truths and everyone’s realities are the same? By the time we realize we are writers, we (should) know that truth and reality only stand as long as no one asks why.

Why do we believe we have certain inalienable rights when we can see it is not true in many places around the world? Aren’t these just privileges society grants or abridges at its whim?

Why do we accept the world is a sphere when, wherever we see it from, it appears as a convex disk? Is it possible only the portion we see exists and anything else we believe is in a dimension we only imagine?

The whys are not as important as the answers. Our responses are what generate the ideas we need to create worlds.

However, the ability to develop unique and interesting answers needs to be exercised.  From my perspective, every writer needs to set aside a few hours each week to let impressions flow and coalesce into ideas.

I am fortunate. I spend an average of 15 hours a week driving. This is my time to turn off the radio, ignore the phone and let the mind wander. During these moments, I recall events I’ve seen and play what if and why. Over the years the ability has grown until it is second nature. I see what is around me and simultaneously see many things they could be.

Yesterday I stopped in a place named Bachi Burger to look at the menu. The hostess asked whether she could help me so I asked if the burgers were made from real Bachi. She looked confused (as many people do when I respond to their serious questions) and told me she didn’t know what a Bachi was. I told her they were a cute little creatures from the land of Neverwas that tasted better than beef. They were in no danger yet, but what would happen if her restaurant chain expanded? She had no response so I decided it was probably best to leave. As I turned to go, she thanked me for telling her about Bachies.

My kids tell me I do a great deal to bring confusion into the world.

The point of all this though, is that learning to see with what if followed by why generates an endless stream of plots. I attribute the blessing of never knowing a day of writer’s block to the fact these questions have become automatic.

I know there are other questions of equal importance for writers to have constantly on their brain. I’ll address those in future posts.

The mark of a serious writer/author is the willingness to improve. The pursuit of excellence includes any combination of 1) formal schooling, 2) seminars, 3) reading, 4) organizations/groups, 5) research, 6) writing, 7) editing. You can probably think of other avenues.

Pablo Casals was a pre-eminent cellist and conductor (1876-1973) who blessed us with music. When in his 90's it is said that someone asked why he continued to practice so many hours each day. His answer: "I think I'm getting it."

After 58 years of writing (news articles, journal articles, non-fiction, short stories, and novels), I am learning something every day. Some of it is new, some of it things forgotten.

Yes, I read, but with the sloppy way publishers are conducting business today, one must be careful. The best information comes from those who write well and share their understanding of the craft. I learn from these writers and authors, and in turn share writing techniques on a bi-monthly eFile. (I detest the word "blog". It sounds like some disgusting noises cows emit when confined to a coral.)

You are invited to Anatomy of a Story and leave comments that can help others in our craft.

http://celtic-publications-us.blogspot.com/2015/02/the-protagonist-need-for-backstory.html

Fine wine needs to be nurtured, rested, watched and turned until ready for drinking.

I think words require a little care too. Serious writers probably have a couple of pages on the go at the same time. Maybe a dormant chapter or manuscript waiting in the wings to be revisited or re-enacted.

I find it a necessity to leave and come back, leave and come back yet again, until I feel I have a complete work, indeed will it ever be complete? It is that detail in the organisation of the narrative that, if ignored, can so easily make or mar the end product. It is often impatience that makes us avoid that essential writing task.

Once the brain becomes attuned and in tune with the process of ‘story’ it has an automatic flick response, that's what I call it, which reminds us of what we need to be thinking of next and to which the kinaesthetic readily responds. 

In another life I performed as singer and musician and had to learn a variety of repertoires, including, at one time, a new instrument. I went through a process until the flick, kicked in! But you cannot leave the flick, if you do it will not respond with that agility which facilitates coherence and fluency. It becomes part of the routine of life, though needs escaping from sometimes, in order to refresh the practitioner and creator.

The complexities and tribulations that accompany writing, for me, I cannot and would not speak for anyone else, can temporarily over absorb and possess the creator. This state of being accompanies other areas of creativity and it is important to recognise the symptoms of overload. Actors have tools and techniques to cope with tension and stress. Deeply learnt and imprinted methods of relaxation for example as part of their training.

As for removing writing stress, simply walking away or walking out for an hour are good antidotes to an exhausted or too busy mind-set. Brooding and analysing in an over serious way can alter the mood so much that it destroys the ability to select and organise, contributing to a long term writers block.

I believe these responses are all to do with the rigour and discipline serious writers have to contend with and those who do not know, do not understand.     

There is something deeply satisfying when one begins to feel the narrative moves and flows in the way it should. One hopes one’s readers will also feel that as they turn the pages. It can be a relief when the manuscript is set loose to fend for itself after many hours and days of turning, resting and maturing.

Pinot Noir or Chablis? Rioja or Muscat ? Which shall it be?   

Patience and consistency, fine words and fine wine! 

Jenny Dunbar

It would be wrong to say all things are circular, but it is interesting how the narrative can often nuance its starting point as one ties the ends up. Endings, like beginnings, are really vital ingredients and so hard to pitch exactly right. What do I hope my reader will feel here? Does the weight of the last paragraph leave us in mid air, bring us down to earth with a thump, or just miss the point entirely?

 This week as I have contemplated the ending of my story/ novel, I have been surprised as I moved the pieces of the jigsaw around slightly, how the time element suddenly made more chronological sense. Why did that not seem obvious before? How an automatic reflection upon an earlier part of the story seemed to take over and gave me another thread to sew with. I touched the primary characters again and hopefully they will touch my reader.

I know I mess around with time in my stories, I shift and vary, but this is a conscious decision, is worked out and not a random action. Hence a great deal of thought is involved and time spent in searching for what one hopes is a viable and credible end product.

Intense scrutiny into the completed draft is an arduous, but essential part of the creative process and actually releases some new ideas. That, of course, produces more reflection and inevitably more work. When I say, ‘completed draft, ’I do not mean the finished item, but it is getting there, thanks to those ever increasing circles which force me to meet my characters again and think about their raison d’etre.        

Anecdotes. They attach themselves, not quite as many coloured patches, but rather in the way one lengthens a dart, refining a point and hopefully streamlining the effect. If by some lucky chance this enhances the angle, pace and emotion of the words then craft has gone some way to creating a little  art in the narrative. We live in hope!

Thematic or formulaic?  On analysis, which is inevitable as one reads through and reads through again, themes as opposed to formulas crop up in my work. Water themes, mystical themes, themes of juxtaposition and abstracted landscape.They occur out of my imagination and I work with them, or discard them if they do not seem right. Oh! And sometimes a dash of alienation.

I do not plan in great detail, but I analyse and work in great detail.  That is just my way and a definite pattern emerges. When the knitting, patching and darting start to be necessary that pattern is hopefully made clearer and more resonant by its complexity.

The words wake me up late at night and the next part of the tale begins to take shape. I do not have a pen and paper beside me, but let the ideas fester and a version of those ideas will come to mind, if I am lucky, when I begin to write. And of course one thing leads to another, sometimes usefully, sometimes not.

At times the words rush round in those ever increasing circles I mentioned earlier and I am pleased when I wash my hair which seems to purge the demons.

We all have our versions of the ‘how’ we create I wonder what some of yours are?

Well what about the element of fire ? I have pots in the kiln and anticipate opening it tomorrow morning. If all is sound I will smoke fire the porcelain at some point and hope the shapes and patterning enhance the form.

Jenny Dunbar www.lockpublishing.com/dunbar.html

I discovered this little tidbit on a blog for writers who have Word 2010. I'm not a computer Guru, but It actually works! I only wish the voice sounded like Morgan Freeman.

"If you have Word 2010 you have, as a writer, a brilliant free tool at your fingertips. How many times have you wished that you could “hear” your own work back so that you can tell immediately whether it sounds right?

It takes a few minutes to install this tool but it is worth every second. Once you have this on your tool bar you simply highlight the paragraph you wish to hear and click on the microphone icon to hear if the words flow."

Several years ago a good friend of mine told me that I should write down a lot of my adventures because I had lived such an adventurous life. Then a year or so ago, a good friend of mine (and former high school Spanish student who is very gifted in all things computer) after having run my web-site for several years suggested that I write a blog.

 I agreed as I thought it might help the sales of my books, which seem to be coming out about one a year. At first I thought I should write a “how to” blog on screenwriting tips and writing readability in general. This lasted for about the first dozen or so blogs. Slowly but surely my blog went from the art of how to get words onto a page to a series of personal adventures. Instead of writing grammatical rules and script writing techniques, I finally found my niche—life adventures that one can translate to the written page.

 Most people when they think of the word adventure, they think of something exciting and unusual. It may also be a bold, usually risky undertaking with an uncertain outcome. The term also broadly refers to any enterprise that is potentially fraught with physical, financial or psychological risk such as a business venture or other major life undertaking.

 Since I changed over to “adventure writing”, you will obviously have noticed that my stories are all over the map literally—some high adventures and some quite small and home grown. For example: My adventures in growing up in Okolona, Mississippi; my adventures with some of my relatives and people I have known; my adventures in foreign lands and situations, my selling Fitzgerald’s Happiness Tonic.

In my blogs, I show how I have used all of these adventures in my writing. I really don’t have to sit and dream up plot complications. The way I have lived my life is enough to just pluck an adventure from my memory and transfer it to one of my screenplays, novels or stage plays.

I suppose I have been trying to show that if you want to become a writer, you must live first—that means get an undergraduate degree from the University of the World and a Graduate degree from the University of Hard Knocks. I have degrees from both. Actually this is what my friend was suggesting: Write down some of your coursework at both of those universities.

 A couple of years ago I attended a high school reunion in my hometown of Okolona, Mississippi. I reunited with my best friend growing up. We were inseparable for all those teenage years. Then at age 19 we separated; he went to a Christian Bible School to become a preacher and I went off to Mexico, California, the Army, and a wide range of adventures in life. At that reunion, we hadn’t seen one another for 55 years. Even so, we took back up in our chatting like it had only been a weekend ago that we had seen one another. He told me after a bit, “You certainly have lived an adventurous life.” Then the next day from the pulpit after introducing me to his congregation he said, “Jack went to Hollywood and I went to Jesus .” In a way, I suppose he was saying Jesus was his adventure in life and mine was Hollywood and the worldly universe.

 I know that a lot of things I write about sound like high adventure and many of them are—like being caught up in the Cuban Revolution—like being arrested in East Berlin for black market currency dealing—like hitch hiking and getting picked up by some army guys who had stolen a car and were awol, etc. etc.

 Adventure is where one is involved in a bit of danger or where your livelihood is at stake or you are taking a chance of some kind. Those are the most popular adventures we like to hear about. However, we can make life an adventure on a much smaller level. I remember when I was young there was a Hillbilly comedienne named Minnie Pearl out of The Grand Ole Opry in Nashville, TN. She was pretty much the country Joan Rivers of her day. She could make ordinary happenings hilarious. In the process, she became famous and wealthy and beloved.

 So you see, adventure is where you find it. Some people get it in the kitchen. Julia Child made omelets an adventure and caught millions of people up in her world.

So just like my friend when he told me to put some of my adventures down on paper, I’m telling you the same thing. Put some of your adventures down on paper. You’ve had as many as I have but maybe just in your own way. You can keep them to yourself or you can share them—and then if they are interesting enough, they become adventures for others!

 Adventure is where you find it and most importantly, what you make of it.

Cheers, put a little adventure in your life today. As Helen Keller said, “Life is either a daring adventure or nothing.”

I recorded The Grammy's because I wanted to watch The Hunger Games for the first time. The Hunger Games represented one faction of society having control over another, to me. That movie had a huge impact on me as I fear it is a sign of the times. My son was walking to the convenience store, at my request, yesterday and a white man drove up, blocking his way, and accosted him. He screamed all kinds of ignorant statements because he was tired of “Drug Dealing Niggers,” walking down his street. We called the police and they went out to the man's house.

This ignorant man proceeded to attack the police because he feels the Police in our community are doing an awful job of keeping “Niggers” out of Lake Helen, Fl. where I live. He said the Police need to stop “Niggers” from moving here and especially stop “Niggers” from walking down his street! He also stated he did not like the way my son dresses, particularly the black “Doo Rag.” my son wears on his head. My son, at the young age of 31, has a badly receding hair line that makes him self conscience and he wears that garment to hide it. This man was arrested but of course out in 24 hours. The convenience store my son walks to is the only nearby convenience store in our area and the route my son takes is the only only route to reach that store. We do not own or can afford a car and my son enjoys walking. Are we to give up our right to go to the store because he has to pass by that man's house? Does this man have the right to reach into our lives and control us? Do you think I should ask my son to go to the store again and sit home in fear of him becoming the next Trayvon Martin? This man stopped his car in front of our house tonight and waited. My eight year old Grandson ran to me frightened and screaming. As I ran to the living room and parted the curtain's he drove off. I am angry!

Trayvon Benjamin Martin (February 5, 1995 – February 26, 2012) was a 17-year-old African American from Miami Gardens, Florida who was fatally shot by George Zimmerman, a neighborhood watch volunteer, in Sanford, Florida. On the evening of February 26, Martin went to a convenience store and purchased candy and juice. As Martin returned from the store, he walked through a neighborhood and Zimmerman, a member of the community watch, spotted him and then followed Martin (despite being told not to do so by the police) on foot to ensure that Martin would not try to steal anything from the neighborhood. Moments later, there was an altercation between the two individuals in which Martin was shot in the chest. Zimmerman also blamed Martin's death on the fact that he was wearing a black hoodie.

This is going on all over the country!

Back to The Grammy's, Beyonce's stage setup for her rendition of the gospel standard "Precious Lord, Take My Hand" featured a wall of African-American men while they held their hands up, which is a nod to the "Hands up, don't shoot" campaign that came out of Ferguson. And Pharrell's "Happy" used his performance to shed light on not only Ferguson, but also on Trayvon Martin as well. Backup dancers donned black hoodies like the one that Martin wore when he was shot and killed in 2012, and broke out the "Hands up, don't shoot" gesture amidst the middle of their performance.

Precious Lord, take my hand,
Lead me on, let me stand,
I am tired, I am weak, I am worn;
Through the storm, through the night,
Lead me on to the light: Amen!

I am glad movies like, “Selma,” are still being made, people need reminding! But there were also Common and John Legend, weighed in when they performed "Glory," their contribution to the "Selma soundtrack. "That's why Rosa sat on the bus; that's why we walked through Ferguson with our hands up," Common said. The most explicit of the comments coming from The Grammy's came from Prince, who said, “BLACK LIVES MATTER.”

It’s one of the hardest parts of being a writer, don’t you think? Editing your own work, running over the same pages over and over again…and still, if you’re human, it’s inevitable that you’ll miss a quotation mark here, an extra space there, or worse, a typo.

You know that reading your own words is the most difficult scenario for proofing, don’t you? Your big, beautiful brain is so good at translating what you physically “see” on the page into what your mind “knows” you “meant” to type, that it usually will glide right over an extra “the” or a missing “a.”

Yes, it purposefully corrects the errors, without even notifying you!

You can read the same sentence a hundred times, and it’ll look great to you. Your mind interprets it as you intended it. And when the first person to take a look at your book finds a glaring omission, or an extra word in that lovely prose, you may feel like an incompetent idiot.

You thought you were careful. Right? You worked so hard to catch those typos.

When it first happens, it's embarrassing. But over time, you’ll learn you cannot catch all of the errors by yourself.

I’ve written twenty-two books, so I’ve been through this process a few times. (you can see them at www.lazarbooks.com, including my newest release, Betrayal.) Over the years, I’ve had publishing house editors go over my manuscripts. They found errors, I fixed them. And I tried not to make more errors when I made the corrections, which is all too common.

We had the first and second edits, then copy edits in the end to make sure we didn’t miss anything. Once in a while, in spite of our best efforts, an error would creep through. Humiliated, I’d beat myself up for this one stupid error and swear it would never happen again. 

As time went on, I learned that beta readers were an amazing asset. Not only were they excellent at finding and spotting typos, but if you found talented readers or writers with a knack for literary insight (like my beta readers!), they would point out inconsistencies in a scene or even mention when they thought a character went beyond their natural boundaries. My beta readers have helped my books become the best they can be, and I love them. ;o)

Over the years I’ve developed friendships with writers and readers, and I’d offer them the job of beta reading my manuscripts before I submitted the book to my publisher. It worked out very well, and I always felt better when they’d read through my books. On average, I have 10-12 people read the manuscript before I consider it “close to done.”

Of those twenty-two books, I’ve published fifteen through a traditional small press since 2007, and have recently moved on to self publish (through Kindle Select) seven more that were waiting in the publishing queue in the past year. Polishing and proofing all of these manuscripts was a real challenge, and my beta readers did me proud. But believe it or not – they didn’t catch all the typos.

I have discovered there is one more essential step to proofing one’s manuscript: reading it aloud.

Yes, it’s something you can do yourself. It might take you a whole weekend to get through it. But it’s worth the effort. Better yet, if you have a narrator who is recording the audio book version, this is where the final catches will be found. 

I have found that my best narrators (actors, really, with great attention to detail) have consistently isolated a couple of leftover “extra or missing letters/words” which are the hardest to find. Sure, with a real typo, like a misspelled word, MS Word underlines it for you in red. Those aren’t too hard to find. It’s harder when you have an extra preposition in a sentence, or a misused word like “here” instead of “hear.” MS Word doesn’t often catch those mistakes.

I find these errors creep in at the end of a work in progress, when I’ve gone through to beef up a sentence or make changes in general. Then I don’t always “cut” fully or “paste” fully and that’s my downfall! Creating typos because you’re fixing another typo is annoying, but pretty common.

Does that happen to you?

Here’s my advice on how to produce a typo-free book.

1) When creating your book, try to find a writer or reader friend who will swap chapters with you as you write it. You read their stuff, they read yours. You help them, they help you. It’s all good. They can help you cull out that first crop of errors, right off the bat.

2) When you’re done writing the book, go through it until you feel you are satisfied. This may take multiple read-throughs. It all depends on how careful you were the first time around when creating the story.

Even with this painstaking approach, once in a while something slips through. It’s disappointing if it happens, but it’s probably God’s way of keeping us humble. ;o)

Let me know what you think in the comments below. And remember, if you love to write, write like the wind!

This blogpost is dedicated to bringing attention to the idea that certain books should bebanned because of questionable content or language. Many books are pulledfrom public schools and public libraries because a few people want to impose their beliefs upon the majority of the population. I personally think that it is dangerous. 

I was brought up with the idea that if you CAN read it, then you MAY read it. 

So I read anything and everything that piqued my interest. I raised my own daughter the same way. Now here's where I may differ from others in this campaign: I don't believe the same ideas extend to other forms of entertainment such as video games and movies. Those are passive pasttimes. They don't require any brain power. That's a huge difference if you ask me.

Books make you think, and if you aren't able to read and understand the words in the book, then you probably aren't going to attempt the material. Visual media, on the other hand, doesn't require one to have a working vocabulary. Quite t

he contrary, images on a screen are "fed" into your brain at warp speed whether you are "mature" enough for them, or not. I think this is dangerous, too. But that's another topic.

For this post, I'll just conclude by saying that some of my favorite reads were (or still are) on the banned books list (according to the American Library Association's website). These books are:
The Grapes of Wrath
To Kill a Mockingbird
Call of the Wild
The Color Purple
Animal Farm1984 

More recent additions are the kids books, Captain Underpants, and the YA series, The Hunger Games.
I could go on an on, the list is very lengthy, but I think you get my point. Yes, there is controversy in all of these books, that's what makes them "good reads."

Romance and Football

A Second Chance Story

By Theresa Hodge

Drake Peterson and Alyssa Darden met and fell in love while attending Auburn University. Circumstance broke them apart and they lived in different cities until the death of a dear friend brought them back together again in Auburn. Drake Peterson is a man who shows passion on and off the field. He had a passion for his team when he was a defensive lineman and he has a great passion for his family and friends. He’s the type of man that will overcome any and all obstacles for the woman he loves.

     Here is a little peak into Drakes thoughts as he watches and reminisces on his favorite college team, from the stands. The cheers all around Drake set his blood to pumping, as he sits among the vigorous fans.  He thought about how the stadium was named for Ralph “Shug” Jordan, who had the most wins as head coach of the University football team and Cliff Hare, a member of Auburn’s first football team as well as Dean of the Auburn University School of Chemistry and President of the Southern Conference. On November 19, 2005, the playing field at the stadium was named in honor of former Auburn coach Pat Dye. The stadium is now officially known as Pat Dye Field at Jordan-Hare Stadium. All of those facts ran through Drake's mind as he pulled his wife, Alyssa, closer to his side. Shouts of victory rang out loud and clear among fans, students and alumni’s alike. Their opposing team was on the losing end and that was just how the Auburn supporters wanted it.

     Drake Peterson’s glory days were over as a defensive lineman for his favorite college team of all times. But that didn’t stop him from rooting them on towards victory.  He expected great things from the football team this year. They have a tough schedule, but the players are up for it. He knew that if the team stayed focused, healthy and injury free, that we are in for one great season. The great coaching staff is an added bonus.

     “War Eagle,” the shouts and noise was deafening around the stadium. The band began to play the song of victory. “War Eagle,” Drake and Alyssa added their own war cries as the Auburn team won another victory for the Auburn Tigers.

   My name is Theresa Hodge. I am the author of a two-book series titled Ask Me Again (Second Chance). I began writing the first book to battle my depression and grief after losing my sister to breast cancer. This book was my therapy. The characters grew on me the more that I wrote about them. I feel that those characters are a part of me now.

     I hope that you enjoyed this little snippet about me and two of my characters. If  you want to read more about Drake and Alyssa’s journey.  I urge you to get your copy of Ask Me Again book 1 today. Book 2 drops on September 30^th. You can find the books on Amazon and Nayberry Publications website. Visit my author page on Amazon.

www.tinagayle.net   I believe the best way for Authors to get their books out to the world is by teaming up with other authors. That's why I like to do an Author Exchange ever so often.

Right now, I'm doing the #FallingIntoLove Author Exchange


Here's how it works:

Send me -

• over 36.8 K followers on Twitter
• I'm on Triber and my post are retweeted by others
• my blog feeds into facebook and goodread
• If you use the #in the title your post can be easily retweeted by other people involved in the author exchanged
• Also, I share your name/email address with other authors interested in doing the author exchange, giving you a chance to post on more blogs.
  
  
  
  
  Thanks for letting me share your book with the world,

Tina Gayle

www.tinagayle.net

For some reason I am inspired to share my innermost thought to you listeners on a subject concerning books and publishing, especially when it comes to ebook, self-publications, and trade publishing. You've all heard this phrase before, "you can't judge a book by its cover," but in this new age of self-publishing, we as readers would to have to be open minded to skepticism when we see a low-budgeted/self-designed book, because this output presentation immediately tells us the nature of the author's seriousness, why he or she couldn't develop an eye-pleasing graphic in this new-age, technology savvy, world. This is not to devalue the literary quote (you can't judge a book by its cover), but this quote as many of us would agree, has aged, and perhaps expired. This is not to disregard the work of any writer of value, because there are many great writers out there who had fallen victim to the traditional-publishers'-controlled-environment of book publishing, at least until the introduction of ebooks and Amazon-like outlets in the 20th century. I have attempted to become to serious at times myself, and I gave it everything that I owned, including my budgets and full-times. If you are great, only YOU can convince the world, and that mean that you'd have to be persistent. In the end, however, the persistent becomes an hard pill to swallow for many writers. But thanks to Amazon and the introduction of eBooks, many writers dream can now come true, and together we can break the bondage forced on our literary talents by the refusals from the big publishing houses.

I can honestly say that many of my best-read books were written by indie (independent) writers, and I am not only talking about novice writers, but seasoned writers as well. Traditional publishers could not handle the workload of publishing every writers out there, and that is perfectly understandable. This is why the big publishers only choose to publish the 'one-per-centers', the ones with the greatest chance of achieving a mass appeal, even if the writing is mediocre at best. Yes, this practice is unfair to many rejected writers, especially those who spent their entire adolescent studying the art and styles of writing, with little hopes of being that new voice of the generation.

If you can find that literary VOICE, then nothing can stop you.

What is this 'voice' I'm talking about?

Well, if you are still listening/reading this article right now you may not realize that you have just read a whole page of writing without pausing. The voice is that fluent deliverance that naturally comes with every seasoned writers who have perfected the art of writing and can delivering exactly what is in their mind, usually in one take, with the utmost clarity. Many writers like myself practiced on creating scenes, surroundings, dismantling and composing the scenes  like a broken pottery, to see if it can be perfected once again. Many writers would never find this voice, and would become stuck with imitations of what they'd read, hoping to make it unique with some tweaking. In order to achieve the 'voice', you would have to practice writing a lot, and with different styles. Big-publishers can immediately sense your nervousness (immaturity) through your query letters and sample chapters if you submit your work to them unprepared. A good editor can almost immediately sense what type of style you are writing with, and YOU DO NOT WANT AN EDITOR TO QUICKLY  IDENTIFY YOUR WRITING STYLE, CONSIDER YOURSELF DENIED.  Your presentation have to be unique, something never achieved, like Michael Jackson with the Pop-music, Picasso with his absurd arts, and that book 'Crime and Punishment' with its flawless deliverance.

A writing style is not something you build by chance, it has to be developed, honed, and mastered, and an editor reading your sample work can feel the story if it is good. If you want to become a world famous writer, unfortunately, you'll still have to go through a big publisher to gain that reputation. So good luck, and don't forget to practice tirelessly before approaching them.

I personally do not believe that traditional publishers are putting out the best books out there, and that their books are mediocre at best, except for a chosen few. I think that the book publishing business is going the wrong direction, and this is why the businesses altogether were loosing money before the introduction of eBooks, and the unfortunate downgrades of bookstores; Borders, Powell's etc

I think what ought to happen is individual franchising among big-money-traditional-publishers and independent writers if we are looking to expand literature through a diverse list of great talents. Big publishers franchising with indie-writers is not something unheard of. In the year 2005, Simon&Schuster acquired a small-press publishing business called Strebor, from Kristina Laferne Roberts, an author who is now famously known as Zane. Zane was a successful self-published author of many erotica books before Simon&Schuster approached her books and bought her publishing house. Now, Strebor is the largest producer of African American trade-mark books in the world. Another example is that of rapper 50 Cents, who is the owner of G-Unit Books, another imprint of the Simon&Schuster company. Oh yes, how about the shocking $119 million payout made from Penguin to to Author Solutions, the self-publishing company behind iUniverse and AuthorHouse, in the year 2012. Not bad. Another is that of Author Vickie Stringer, the CEO of Triple Crown Publishing, one of the largest urban novel publishers in the world despite its refusal to become an imprint of any big publisher. The story goes on and on.., and this leave a lot of hope for us indie (independent) writers / publishers.

Signing to a big publisher is not the only way you can achieve greatness. You can do it yourself if you are willing to put in the effort and time. Author Amanda Hocking is an example of the many independent greats who had sold million of ebooks. Time is money, and the big-publishers have a lot of them to budget out to make their chosen writers successful.

In my next article, I will show you some effective ways you can use to make your ebook widely noticed and climb to that bestsellers rank whether through Amazon or BN. For us indie writers, the struggle is real, but if you study the market, you will see that the opportunity is endless.

Tell us what you think of this article, sign-in and leave your comment for everyone to read and reply. Thank you.

P.S. If you find an error in this article, that's because it was written out in one take. I will recommend that you writers practice the same and just write. You may submit your composed article to me at, http://indiewritersupport.com/blog and I will approve it as a blog for all to see and read if it is properly written. 

Expand your visibility, get a contact list (emails) of 60,000 book-loving Scribd, DocStoc & SlideShare members. These are book lovers who loves nothing but reading and writing. You may use Mailchimp or TargetHeroto message 5,000 at a time.

   Download The List

How to upload your book to I.W.S.

If you are looking to generate more visibility for your book, you may also add the book cover to ReadersBooks.info for the thousands of book lovers that visits everyday.

If you are willing to upload your book cover onto the website, make sure that it is sized at 200 width & 250 height. If you need help re-sizing your book cover, go to www.pixlr.com/editor and click on the 'image' menu to edit the size.
After your book cover is correctly formatted to the 200x250 px and saved on your computer, then you may go here http://bit.ly/1mO3eRi  to add your book according to its category. Go to this website to watch the instructional video; http://on.fb.me/1jjsGgI

We will be driving 100,000 weekly visitors to this website all year long, so don't miss out on the chance to showcase your talent in this open-for-all-platform.

Altogether now... ready? A one, a two...

You blurb all day
You blurb all night
Blurb, blurb, blurb
Til the early mornin' light.
Hopin' your book
Is the one they'll choose.
And when the sales don't come
You feel like a bum.
You got the Indie Book Promo
Ain't Gonna Do It No Mo'
Welcome To My Pity Party
Somebody Shoot Me Boogie Blues.

The Indie Book Promo Blues
Yeah, it's the Indie Book Promo Blues.
Your precious time you fritter
On Facebook and Twitter
Tryin' hard to spread the news.
Then when no one bites
You turn out the lights
And cry the Indie Book Promo
Ain't Gonna Do It No Mo'
Welcome Tto My Pity Party
Somebody Shoot Me Boogie Blues.

The reason why there are a million (well, okay, only a little over half a million on amazon) "How To" books on the subject of book marketing is because that's what every indie author wants to know. How to? Probably everything you read about the subject in those books is good advice, to some degree or another. Unfortunately, most of it isn't likely to result in a whole lot of sales. Why?

I suspect it probably has something to do with the fact that the market is now saturated to the hilt with books by indie authors. In a single year (2009 to 2010) nearly 3 million indie paperbacks were published (according to an estimate by Bowker's "Books In Print"). That breaks down to about 625,000 books a month! And that's just paperbacks! The number of ebooks published would likely double that amount. And it hasn't slowed down. If anything, the number of independently published books (paperback and ebook) published per year continues to increase.

That being the case, it's almost pointless to spend time promoting your book to a general population of readers. One of the best pieces of advice is to identify a specific target population, people who would be most likely to buy your book if they knew it existed.

 You can find a lot of online sites, forums, groups and book clubs that are dedicated to a specific genre (for example, "Fantasy"). That's great. The only problem, for an author, is that it seems most of such groups are not particularly author friendly. That is, they either flat out don't allow authors to promote their books on the group pages or, if they do allow it, they'll have it set up so that promotions are only allowed in a specific "author promotion" section on the group site. A lot of the groups at goodreads.com are set up like that. That seems like a good idea, right? I mean, I can see the reasoning. If they allowed promos on the discussion pages, we pesky indie authors would invade in droves of Biblical proportion like a plague of locusts. Thing is, it seems most of the group members who aren't authors, (and that's usually the majority) never (or hardly ever) bother to check out the book promotion section. Why? Because most of them still seem to be under the impression that if you self-published your book, it's probably not worth reading. Anyway, the result is that the only people who visit that section are other authors whose primary reason for going to that section isn't to find new books to read. No, they're only there to post a promo blurb for their own book.

  • • •Authors promoting to other authors • • •

That's become the case all over the internet. There are a ton of book-related Facebook groups where authors are encouraged to promote their books but, again, it's just hundreds of authors promoting to other authors whose primary reason for being there isn't to find a good book to read. They're only on that page (for a minute or two) to promote their own book. People who actually want to find a new book to read rarely (if ever) go to one of those Facebook pages.

Of course authors are readers, too. And once in a blue moon, another author will see your promo blurb on Facebook or Twitter and they'll click the link and buy the book. It's rare, but it does happen. I belong to over a dozen book-related Facebook groups and I do post promos at least 2 or 3 times a week on all of those group pages but, honestly, I don't think it does much good. So why do I do it? I guess because at least I feel like I'm doing something!

What about purchasing ad space, like on goodreads.com or Facebook? Some people do get a few sales from those ads. I've tried both but they didn't seem to result in any sales.

What about Twitter? Seems like every author now has a Twitter account. But do promo tweets result in sales? Maybe, once in a while, but the problem with Twitter is that there's no way to know if a sale was the result of having tweeted a promo blurb. There's no way to track that. I use Twitter quite a bit but, to tell you the truth, I think it's probably more of a waste of time than it is an effective sales tool. Again, I think I do it only because it's there and it makes me feel like I'm doing something rather than doing nothing at all.

What about giveaways? I tried the Kindle 5-day free download thing. At the end of the 5 days, nearly 500 copies of my novel (Ash: Return Of The Beast) had been downloaded. I have no idea how many of those 500 people actually read the book after they downloaded it but none of them bothered to post a review on amazon. Getting reviews is really the primary reason for giving the book away in the first place. The more reviews your book has on amazon, the more likely it might attract other readers.

Some people have had better luck with the giveaways but, from what I've heard (from other authors who have tried it), it's not all that effective. Some authors have argued, saying, "Well, at least now my book is being read by hundreds of people!" Well, maybe. What they don't seem to realize is that there are 10s of thousands of people out there who are practically addicted to scarfing up as many free ebooks as possible just because they can. They'll probably never get around to actually reading most of them.

What about personal blogs? I'm pretty much a newbie when it comes to blogging. My blog (www.GaryValTenuta.blogspot.com) has only been in existence for a short time and it's had only a little over 1200 page views. All I know, at this point, is that those 1200+ page views haven't yet translated into a single book sale. But, like I said, I'm still new at this and looking forward to seeing how it goes.

Another suggestion you'll often find in those "How To" books is to "engage in conversations with readers without necessarily promoting your book". The idea is that sooner or later, as people get to know you, they'll want to know more about your books and that will result in sales. Been there, done that (still doing it) and it's not all that effective. Nothing wrong with engaging in online conversations with people who love books but the bottom line is you'll end up investing a LOT of time for very little (if any) actual return in terms of book sales.

So what's an author to do? That's what we ALL want to know. The best advice I can offer is to just do what you can (all of the above) with the realization that it's probably not going to result in a lot of sales. And while you're doing those various promo activities, keep on writing! Get another book out there. Or a series of short stories or novellas. The more books you have available, the better the odds of getting sales. If you have one book available, you might only get 2 sales in a month. But if you have two books available, and two of each are purchased, you've collected royalties on four sales that month, and so on. It takes time for the sales numbers to build up. But as your sales numbers increase (along with the number of reviews), so does the ranking of your books in amazon's system. The higher the ranking the more visible your book will be for people using key words to search for specific kinds of books on amazon.

Of course there's always the possibility that your book contains that undefinable magical "something" that excites the first few readers so much that they tell all their friends they just have to read it, and then it becomes an over-night cultural phenomenon, in which case a big publisher will offer you a ton of money for the rights and you'll no longer have to suffer the Indie Book Promo-Ain't Gonna Do It No Mo'-Welcome-To-My-Pity-Party-Somebody-Shoot-Me- Boogie-Blues.

*Not for the faint of heart*

Are zombies still a hot item or is the zombie craze nearing its on apocalypse? With the new season of 'The Walking Dead' well underway and Halloween less than a week away, are people still wanting to see hordes of undead converging on society? I think so; I think the fascination with zombies will continue, there is something about the undead that perks our interest. Maybe the fascination is not so much about death but about coming back to life. I believe most people want to believe there is life beyond this life, zombies though not alive as the living have an existence beyond the grave. I wrote a short book about a Zombie Dad., check it out on Amazon for .99. Here is an excerpt from the book:

"There he was sitting in the living room, reading his evening paper as usual. When he lowered the newspaper, what I saw was not my living dad, but a corpse dad with pale lifeless, greenish skin. He turned and looked at me with lifeless eyes and a sinister grin that froze my heart; I woke-up with my heart pounding"

I guess I have a fascination with zombies myself, partially fueled by my interest in ;The Walking Dead'. If you like zombies, check out 'Yikes! My Dad is a Zombie' on Amazon. Let me know what you think.

“Murder Most Foul,” available now at:

www.melange-books.com/authors/joannemyers/MMF.html

Here is the link to buy it directly from LULU:

http://www.lulu.com/shop/joanne-myers/murder-most-foul/paperback/product-21183493.html

BLURB: When two dismembered torsos wash up on the banks of the local river in the small industrial town of Pleasant Valley, residents are horrified. Between contradicting statements, police ineptitude, lust, lies, manipulation, incest, the motorcycle gang The Devil’s Disciples, crooked cops, and a botched crime scene, everyone becomes a suspect.

The young beautiful Jackie Reeves, a registered nurse, believes the killer is a man from her past. She contacts the dangerously handsome FBI Agent Walker Harmon. An arrest is made, but Harmon and Jackie believe an innocent man is being railroaded by local cops. Determined to find the truth, before anymore killings, Agent Harmon and Jackie are forced to run a gauntlet of deep trouble and turmoil, which marks them for death.