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Ten Things Every Writer Should Do

I’ve gotten asked by a lot of other authors about any sort of hints or tips of tricks that I could tell them to help them along.  If you’ve read my earlier posts, you know that I think that writing is a very personal experience, and therefore the process changes dramatically from person to person.  But, at this point, I have gotten asked enough that I finally decided to culminate all of the tips that I have found most helpful.

The following is a list of the top 10 things I believe a fiction writer should do. Most of these probably apply to all you nonfiction writers out there as well, but I’ll leave the official version of that list for one of you to develop. So, without further ado, here are the most crucial things every writer should do from my perspective:

Know the basics

Every writer must know the basics of grammar, spelling and punctuation. This is not to impress readers with how well we learned in school. If readers are paying more attention to mistakes than to plot, they will not be your readers for long.

Be original

Imitating another author’s style or rehashing an overused plot line is an easy way to lose readers. We have been blessed with only one Socrates, one Mary Shelley, one Stephen King. Many have tried to imitate them. Can you name one? While imitation may be the sincerest form of flattery, it is also a certain path to obscurity.

Want to write

Writers write. It’s what they have to do. Writing requires long hours, tedious edits and rewrites and rarely pays enough to give up the day job. Many have tried writing because it seems a quick and easy path to success. After a few attempts, most find the day job is not so bad by comparison.

Accept obscurity

Writing is a lonely job. Writers spend many long hours hidden away, pecking a keyboard. For a short time, most writers will experience some notice, even admiration, from their social circle. However, as time passes and none of their work shows up on the New York Times bestseller list, friends and family smile knowingly when you claim the title of writer.

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Find your audience

Not everyone will like what you write. It’s a fact. Few people south of the Mason-Dixon Line liked the Gettysburg Address. It is extremely difficult to persuade someone to like your work who does not like the genre you write. There are countless groups with interests in everything imaginable. A quick Google search is a good start. From there, try to develop connections that will grow your social circle.

Find a support structure

Writing requires far more self-motivation than the average day job. Writers have only themselves and whatever cheering squad they can put together. Most other professionals are surrounded by coworkers who know and understand the perks and stresses of their jobs. Writers have to seek others who share their compulsion and cultivate a support structure where they can find it.

Get feedback

Few writers can see all the inaccuracies or implications of their work with no feedback. As writers, we see our stories from within. Part of us or someone we have known goes into each character. Places we have seen or imagined have gone into each scene description. However, do they work for our target audience? We will never know unless we make ourselves accessible.

Accept criticism

Not all criticism is negative or valid, but all has the potential for being beneficial. Writers are mostly human. As such, we tend to learn from our mistakes. However, this only happens if we know what our mistakes are. None of us sits down to intentionally throw in a dangling plotline or a contradiction in place or time. Once in, the writer often fails to notice them, but few readers are as oblivious of our mistakes.

Have a thick skin

Because they have to remain accessible, writers are easy targets. They are criticized by those who do not agree with the believability of their characters, the probability of their plots or the choice of genre for their tale. They are subjected to abuse for not eagerly accepting every first draft offered for their opinion. They are vilified as greedy for not accepting a fifty-fifty split for every idea as long as they do all the writing, editing and promotion.

And of course, HAVE FUN!

As long as writing is inner driven, it is only attitude that keeps even its most onerous aspects from being fun. We all know the mental high of the first rush of creativity. Most of us dread the hours of rewrites and editing. Yet, if we are honest with ourselves, we do not do it for the readers. We write because it’s what we like to do. All jobs have aspects that are less fun than others, but that does not mean that all aspects are not fun.

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What ‘ya gonna do?

In one of those “kids say the darnedest things moments” when they spill the family secrets, a neighbor’s son told me “my parents always say that if it happens outside my door, I don’t need to get involved”. I wanted to ask if his parents explained what kind of things he shouldn't be involved in – was it the argument overheard next door or the cry for help from a stranger? In the end, I decided not to question the youngster.
How much do we involve ourselves in the lives of others? And where do we draw the line?
What would you do if you knew a child was in trouble and possibly being abused by one of the adults she yearns to trust? There are some people who, by the nature of their jobs, are legally required to report all suspected child abuse such as teachers, doctors, police officers, and child care providers to name just a few. Any adult who lives with the child who has been abused is also legally required to report the situation although all too often these people are either involved in the abuse or complicity denying the existence.
What about the rest of us, what is our moral obligation to report when we've seen a child in distress with repeated and multiple bruises, or worse?
We need to learn to recognize the signs of abuse and not deny that it might be happening. Severe injuries, multiple bruises from obviously different occasions, fear at the idea of going home, a lack of medical care for illness or injury, detailed tales of sexual activity, consistently unkempt appearance, or frequent and constant hunger MAY be signs we should pay attention to. If a child comes to you with a blatant cry for help and story of an abusive situation, it shouldn’t be discounted without consideration. And as the parent of a child who once screamed for help standing at her bedroom window when she was angry for being sent to her room for a time-out, I am aware that sometimes things CAN be misunderstood.
If we must err though, we should err on the side of the child’s safety. Child protective agencies exist in every region and depending on the size of your municipality maybe even in your city. If you suspect the possibility of child abuse contacting them may very well be the first step in saving a child’s life. The staff at these offices are trained to determine if the information you provide is enough to warrant a more thorough investigation so they will ask you questions such as what you witnessed, if you've seen former evidence, and how well you know the people involved (to assess your vantage point). Your name will be kept out of it if they decide to investigate so you shouldn't worry about repercussions. Unless it can be proven that you maliciously reported a false case, you are immune to any consequences. Cases will be investigated and any actions taken will be done in the best interests of the child.
When I researched information for my novelBartlett’s Rule, I came across survivors of childhood abuse and one of the things repeatedly stated was why people who knew didn't do anything to help. Physical and emotional scars never go away. Children are vulnerable and often not able to speak up and explain what is happening to them – but if we suspect abuse, we should do something to help. It's the right thing.

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