I almost hate telling people that I'm a writer because almost every single one of them immediately asks the same stupid question: "Where do you get your ideas from?"

    If you meet a chef do you ask him/her, "How did you decide what kind of food you like to cook?" Do you ask the major league baseball player, "How did you figure out how to catch that third-inning fly ball?" Would you ask someone, "Why did you decide to fall in love with that woman?"

    You don't open a web page or tap your smart phone to find a list of people you will love or food that you want to cook or stories that you want to write. We all encounter large numbers of people and events and some resonate with us and some don't. Who knows why?

    Every time I'm about to start a new book I have to ask myself what story I want to tell. For me, the answer is always based on the emotional situation I want to explore – revenge, redemption, betrayal, perseverance, whatever. In order to get my level of energy up I need to find the emotional core to the story I'm going to write.

    I liked the idea of a decent, courageous lawman willing to do whatever it took, no matter the personal cost, to bring a gang of ruthless killers to justice and that idea became Shooting Crows At Dawn.

    I liked the idea of child mistakenly thought dead rescued through the innate decency of an ordinary person and returned safe to her family and from that idea arose The Concrete Kiss.

    I liked the idea of a technically smart but socially clueless young cop being mentored by a skilled detective in the hope that someday the kid could himself become a great member of the Murder Police and from that notion came Death Never Sleeps.

    I first need to find some emotional situation that excites me and then construct a story around that idea. Every writer is different. Lots of crime novelists like writing what I call "puzzle stories," books with complicated plots and clues. There is a crime. There are lots of suspects. The killer may or may not even be on the suspect list. The detective follows the threads until, eventually, he or she finds the culprit.

    I could write a book like that but I won't write a book like that because there's no excitement, no emotion, in it for me. For me, it's just work. I may as well be digging a ditch. There are plenty of writers who love writing puzzle books, who enjoy figuring out the clues and the plot twists. Good for them. I enjoy reading books like that. I just don't enjoy writing them so I immediately cross all kinds of pure puzzle stories off my list.

    Getting back to the "where your ideas come from" question, it's not so much how you think up a story. It's more about looking at that list of story ideas and then deciding which one you think you will enjoy writing versus all those other stories you could think of that would be drudgery to write.

    Where do those story ideas come from? The same place that a chef gets the dinner menu and the artist gets the subject for his/her painting. They all come from the individual's imagination. If you don't have any imagination then you aren't going to be much of a fiction writer, painter, chef, musician, etc.

    Maybe people who ask the question don't have much of an imagination. Maybe it's like someone who can't add 11 + 19 in their head asking the accountant how he knows that the answer is 30. He just does. That's how his brain works. But here's the crucial thing: the real trick is not coming up with the correct total. It's figuring out which numbers to add together in the first place.

    –David Grace