This topic is really big right now. Any writer or reader familiar with books coming out these days has probably noticed a huge trend in shorter fiction. Short stories, novellas, even episodic or chapter-length works are releasing all of the time on Amazon and other book sellers. And it appears that there are two schools of thought in response.

One is comprised of a group of writers and readers who see no issues with shorter fiction. In fact, they encourage it! 

Writers enjoy publishing these works because they can write faster and move on to the next project on their ridiculously long to-do list. Not that writing such a story doesn't take a lot of plotting or research. Believe me, they still do. But, instead of cranking out a big novel every six months to a year, or longer, the turnaround time is a few weeks to, at most, a few months to completely polish one and have it ready for release. For some readers, they enjoy what the industry terms as an hour or "two hour fiction", a quick read on your Kindle while you're at the beach during your vacation, or when you finally get a moment alone at home. And I guess it depends on how fast you read too. LOL. A certain group of readers even enjoy the episodic, sort of Dickensian approach certain books are taking now.

There's nothing wrong with liking shorter fiction. Most writers who start out are practicing their skills by writing short stories. Even writing workshops or classes at universities usually will only expect a story turned in as the project because it's hard enough to write, but still deemed 'manageable' during the time that a semester runs. Only a Master's program would expect a full-length novel pitched as a dissertation. In some ways, shorter works are a tad easier to read or write because they just go faster. 

Why, I bet you've even seen more multi-author anthologies coming out these days. Writers will submit short stories to publishers for such anthologies. It's a good way to launch new authors before they come out with a larger piece, like a novel. A lot of seasoned authors, as well, are participating in charity anthologies. I know a few writers who enjoy a little break between their full-length novels, so they tackle shorter works during that time. I have submitted for several anthologies as well, and for those I've seen anywhere from 1,000 to 6,000 words, but sometimes up to 10,000 word stories accepted. It probably depends on how many authors are involved.

So, let's talk length. I have included a few good diagrams and tips below depicting the range of length on shorter and longer fiction. This is just to give you an idea of the industry standards. Shorter fiction exists as well. I have seen writing contests for one-sentence or one-paragraph fiction. That is called micro fiction. Flash fiction, which is different, is about a page long, and will sometimes be termed 'short-short'.

"That's weird, Marie."

Maybe. But the writer who can accomplish it is quite talented. I don't think I'm brave enough to try it. I'll stick with works that are a bit longer, at least for now. 

As you can see, it's looking like they really can't decide what should be counted as a novel or a novella. And every publisher has different requirements.

There's nothing wrong with writing short fiction. Right? 

Well, it's a matter of opinion. In fact, there's also a group of readers (and writers, for that matter) who never bother with shorter works. Stories or novellas aren't long enough, they say. And in some circles, they feel that only longer fiction is "true fiction".

Everyone has the right to their preferences in books – genres or lengths – but I can't agree with the former assessment. Length doesn't affect quality in any way. As long as the writer develops the characters, gives enough description of the setting and such, moves the plot along and offers a satisfying conclusion, should it really matter if the work in question is a short story or a novel? Apparently, for some people, it does matter. But that's completely fine. We're all entitled to our own opinions.

So, what's my approach? As a writer, I try not to fuss over length while I'm focused on a project. When I'm editing, I can worry all I want about length. But, during the composition of a work-in-progress, the story stands on its own. For me, it's all about the characters and what makes them tick. It's about the story, what drives me to tell it. Where is the tale set? How can I flesh out a character or even a scene a little better so that a reader can "see it" in his or her mind? What's next in the story? How do I keep the action going? And how do I wrap it all up in the end? These are subconscious, and conscious, questions that, I think, most writers try to tackle. However, during the writing process, it's not about length for me. Do I celebrate milestones with word count? "I made it to 25,000 words!" "I reached 50,000 words today!" Yes, of course, I celebrate it. Every writer likes to make progress. 

But we shouldn't place a huge emphasis on word count or manuscript length during composition. Why? Because it can affect everything. I know one writer who can't finish more than one chapter because he's always asking, "But, how long should my book be?"

And that's a problem. It's possible that some writers need the aforementioned word count guidelines to give themselves a goal. However, it can be extremely limiting at the same time. My answer on how long it should be? The manuscript will be however long it is. If it ends up a short story, then so be it. A novella or novelette? Great! A full-length novel? Nothing wrong with that. It is what it is. By the time you're done writing and polishing, you have a finished product and, as a writer, you should be satisfied with the results. You have to love your story or book as much as your readers do. If you don't fall in love with your characters, if the story doesn't "compel" you, then you're in the wrong profession. 

Enjoy writing your manuscript and, I assure you, you'll get more out of it. AND you'll worry less about book length. Be concerned about word count when you're ready to tackle editing and about to research possible publishers to submit the book to, not BEFORE you start a project or while you're writing.

Remember when I said it will ruin everything if you're concerned with length? It's true. Because if you listen to those naysayers who feel your story isn't "true fiction" due to its length, then you have spoiled the joy of writing for yourself. And that assumption? That's all it is, just a belief, not fact. Don't let one opinion discourage you from writing. You can see more about this and other issues in my article, "Don't Limit Yourself", also on the Writing in the Modern Age blog, and you can learn about how to cope with such adverse opinions in my guest post on Penny Estelle's blog. It is titled "Fighting the Naysayers".  

There are plenty of readers who LOVE short fiction. Just out of curiosity, let's count some of the famous authors who became known by their shorter works: Aldous Huxley, Anton Chekhov, Dr. Seuss, Elizabeth Gaskell, Honoré de Balzac, Herman Melville, J.D. Salinger, Jack London, James Joyce, Joseph Conrad, Joyce Carol Oates, Jules Verne, Louisa May Alcott, Roald Dahl, Sir Arthur Conan Doyle, Washington Irving, Mark Twain, Edgar Allen Poe, Oscar Wilde, Franz Kafka, Ernest Hemingway, Charles Dickens and so many more! Obviously, the word count snobs never thought of that one, did they? LOL. And it should be about what's inside the book, anyway. 

In the end, does book length really matter? Not really. The point is that you write your story or novel to the best of your ability, then you sit back and are proud of your work. And what is the second goal of writing? To reach readers who appreciate our stories, who 'see' our characters the way they were meant to be seen, of course. If in the process, you give someone a wonderful experience for an hour, two hours, a day or however long it takes to read the book, then I'd say you've done your job as a writer.

So, get out there, pick up a pen and your favorite journal, or set up your laptop, and start writing! After all, who's stopping you? No one. Just you, and I hope by the time you've read this article, you won't be stopping yourself either. Write that book to wherever it takes you. You won't be disappointed by the experience. I hope I've helped to shed some light on the question 'does size matter in books?'. 

Have a great week, everyone. And, as always, happy reading  :)

(Sources: Wikipedia, Writing-World.com, http://bit.ly/1MbdnSz, Better Storytelling,The Famous People.com, Ranker, Classic Shorts, Listverse)

One of the first errors I learned about as a novice writer had to do with the use of exclamation points. After penning my first novel, and fortunately, before publication, I was taught by a writing guru that exclamation points don’t belong in one’s narratives. Period.

Here’s an example of very amateurish writing where exclamation points abound. This is not okay! (I just had to put an exclamation point here to make you smile.) It’s actually very similar to several newbie manuscripts I was asked to critique.

She walked into the crystal cave and cried out. In front of her stood a giant elf! He was huge! And his eyes burned with fire! She turned and ran as fast as her legs would carry her, and almost fell!

All right, now that you are cringing (I hope), I will stop. A few years ago, I actually edited a manuscript where there were multiple examples like this on every, single page, all throughout the book. Yup. But my young author learned, just like we all do, and she dutifully removed those offensive punctuation marks.

Of course, there’s a difference when you use exclamation points in narrative versus dialogue. Although this example has far too many exclamation points, it’s not quite as awful as adding them in your narrative as I showed above.

Shelby held a silver chain to the light. A heart-shaped crystal dangled below, winking in the winter sunlight. “Look what Uncle Sig bought me!” she said.

Camille jumped up to examine the necklace and Johnny roared into the room, “flying” his rubbery metallic green dragon toward me.

“My dragon flies!” he yelled, zooming it up and down in the air and finally landing it on my shoulder.

“Wow. What’s his name?” I peered down at the realistic reptile who perched on me.

“I dunno,” he said. “How ‘bout…Claws?”

I picked up the squishy critter and looked at him. He did have very distinctive claws and a rubbery mouth that opened when you pressed on the skull. “Claws is a good name, buddy. I like it.”

“Can he come to dinner with us? He’s really hungry!”

Camille fastened the necklace around Shelby’s neck.

I handed Claws back to Johnny. “Sure he can. Do you have to use the bathroom before we go?”

“Yes!” he squealed, holding two hands in front of himself and dancing in place. “I do!”

Okay, so the little boy and his sister in the above segment are really, really excited. And it’s probably okay to sparingly use exclamation points in their dialog. In the blue text above, such as those with the dialog tags “yelled” and “squealed,” they are sufficiently clear to let the reader know the boy is being very loud. I would remove the exclamation marks from those segments, at minimum. Frankly, I think one or two per chapter is more than enough. You can show excitement in many other ways, especially by using action beats.

For example, you might say, “He shrieked and ran in circles, arms flapping like an airborne chicken.” Or something equally as silly. ;o)

Remember, as a general rule, avoid exclamation points in narrative, and use them very sparingly in dialog. You don’t want to get the same highbrow lecture I did when I was a newbie, do you?

Now, how do you handle someone shouting in your novel? How about when it’s an inner thought?

What if your character has just stumbled upon the dead body of the one he loves?

(As you know, all inner thoughts are generally shown in italics, except where you use, “he thought,” etc.)

I have seen at least three methods to show this:

1)    No! No! No!

2)    NO. NO. NO.

3)   “No, no, no!” he thought.

Some folks use upper case to stand in for exclamation points. I’ve used that approach a few times in my own work. What do you think? List your comments below, and if you have any examples you’d like to discuss, feel free to post them in the comments section.

Remember to take pleasure in the little things. And if you love to write, write like the wind!

Aaron Paul Lazar

www.lazarbooks.com

Aaron Paul Lazar writes to soothe his soul. An award-winning, bestselling Kindle author of three addictive mystery series, thrillers, love stories, and writing guides, Aaron enjoys the Genesee Valley countryside in upstate New York, where his characters embrace life, play with their dogs and grandkids, grow sumptuous gardens, and chase bad guys. Visit his website at http://www.lazarbooks.com and watch for his upcoming releases, THE SEACROFT: a love story and DEVIL’S CREEK.

Aaron Paul Lazar, copyright 2015

Let us embark on a journey together. I am pursuing my dream of becoming a famous author. Follow with what I post here on the internet and support my efforts in whatever way suits you, such as buy and read my books, or if you are in Portland Oregon, attend some of my events. In return, I will provide you with novels to entertain, move, stir you up, and inspire you. At the events we will have conversations that may do the same. On this journey, you will discover new ways to see the world and new openings for action you may not have thought possible. I am about people having their dreams come true, like the characters in my novels. Wouldn't you love to see someone fulfill his or her dearest dream for a change, and without selling out?

We can still dream about what is possible for us as we did when we were children. Kids dream of things to do with their lives without the aid of experience (say, the past) to teach them they could not do it. As a child, did you dream of being a great actress, a firefighter, a ballet dancer, a jet fighter pilot, a doctor, an astronaut? Are you like me and have a dream you would love to pursue, but it occurs to you at this moment as inaccessible due to the demands life puts upon you?

For me story is paramount. I say story is what gives us humans our reality. We think and speak in terms of stories—it's all stories, and we make it up. We all have where we stand, our viewpoints, or frame of reference and none of us has a privileged frame of reference. The story I have created for my life and the world is that as a famous author I will assist my beloved human race becoming interstellar explorers; beings who other races welcome, because we take care of ourselves and where we live. We will become inquirers and explorers, rather than agents for rich people bent on getting richer.

How you really embark on this journey is not by just following what I'm up to, but by assisting me in this dream, there are a number of ways: one of the first is to visit my website, if you're not already there; buy a book (reading one would help too), subscribe to my newsletter, or even buy some novel merchandise and if you're in the Portland area (Oregon that is) keep an eye out for upcoming author events that include yours truly. Two novels are available through Lulu.com, Mermaid Song, and Chrysalis as eBooks, paperbacks, and first edition hardcovers. Two more novels are in the works, Verdigris and Sweet Dreams of Flying Machines. An interesting part of this is, once you assist with the dream, you are the dream itself. Think about that a bit.

A little about what I write. In my science fiction novels, you will discover that my stories are about people who transform their lives in one way or another. These are not nice stories, they are not a quick read, they may be a bit demanding of your emotional involvement, stir you up, have you be uncomfortable sometimes. I have little doubt that with their adventure, romance, mystery, and violence, my stories will entertain you. They are not safe stories to read, but ritual journeys to take where you may not be the same person as when you started.

Much more to come.

I've written as a freelancer, and have completed a bunch of novels, and have also taught college full time and then for a prison program that was summarily closed by a Republican governor. One of my Smashwords novels, From Renata With Love, makes use of what I learned then from one of my inmate students.

I've published two novels on Kindle: Attila as Told to His Scribes, and I, Zerco, both set in the 5th century in or near the Roman Empire. The first is a first-person fictional autobiography of Attila the Hun, telling of his life from the incident which sent him as hostage to the Roman capital (Ravenna) as a young man, through his triumphs, to his death, narrated by his last scribe.

I, Zerco tells his own story. A contemporary of Attila, a Moor who ended up in Attila's court, according to a Roman eyewitness account, his story begins in the North African mountains. He is always a lover, but he's enslaved by Romans and subsequently has three harrowing, but ultimately triumphant careers: as bestiarius, stupidus (jester) and double agent to Attila's predecessor, and finally as a magician. He is the ultimate survivor.